{"id":1185,"date":"2023-01-08T11:13:08","date_gmt":"2023-01-08T09:13:08","guid":{"rendered":"http:\/\/www.dock-berlin.de\/?p=1185"},"modified":"2025-09-18T11:15:16","modified_gmt":"2025-09-18T09:15:16","slug":"els-viaene-ways-of-seeing-sound","status":"publish","type":"post","link":"http:\/\/www.dock-berlin.de\/?p=1185","title":{"rendered":"Els Viaene \u2013 Ways of Seeing Sound"},"content":{"rendered":"<p><em>\u201cWhy can\u2019t sounds be visible?<br \/>\nWould the feedback from ear to eye cause fatal oscillation?\u201d<br \/>\n<\/em>(Pauline Oliveros)<\/p>\n<p>What is sound? What is this phenomenon that we can neither see nor touch, but can touch us?<br \/>\nThe Belgian artist Els Viaene has been working for over 15 years with the medium of sound in large scale installations and compositions \u2013 the sound experience was always the end product. According to her perception, however, apparatuses, objects and technologies have always stood in the foreground \u2013 between her and the sound.<br \/>\nIn Ways of seeing sound, she investigated sound at it\u2019s source, approaching it as a physical phenomenon in the moment it is shaped: as vibration, wave, change in air pressure. She analyzed the opto-acoustic experiments collected by John Tyndall around 1876* and reconstructed in collaboration with the Ghent University Museum (GUM) many of the historical setups. Based on that, she developed a series of new experiments and methods to make sound visible and takes us on a journey of perception.<br \/>\nThe exhibition for Liebig 12 is a Wunderkammer in which science and sound collide and the concepts of seeing and hearing blur.<\/p>\n<p><!--more--><\/p>\n<p><em>eine poetische Untersuchung von Klang als physikalisches Ph\u00e4nomen<\/em><br \/>\n<strong>Ausstellung \/ Lecture-Performance\u00a0von <a href=\"http:\/\/www.tunedcity.net\/?page_id=1674\">Els Viaene<br \/>\n<\/a><\/strong>Er\u00f6ffnung mit Performance:\u00a0<strong>3. Februar 2023 \/ 20 Uhr* (ausgebucht!)<\/strong><br \/>\nPerformance:\u00a0<strong>4. Februar 2023 \/ 20 Uhr*\u00a0(ausgebucht!)<\/strong><br \/>\nAusstellung:\u00a0<strong>5. \u2013 19. Februar 2023 \/ 14 \u2013 20 Uhr<\/strong><br \/>\nLiebig 12 \/ Liebigstra\u00dfe 12 \/ 10247 Berlin \/\u00a0<a href=\"http:\/\/www.liebig12.net\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.liebig12.net<br \/>\n<\/a>* begrenze Kapazit\u00e4t\u00a0\u2013\u00a0kein Nacheinlass zur Performance!<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.liebig12.net\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/www.tunedcity.net\/?page_id=6100\">&gt;&gt;&gt; additional information<\/a><\/p>\n<p>concept and realisation: Els Viaene<br \/>\ncurator: Carsten Stabenow \/ tunedcity.net<br \/>\ntechnical assistance: Koen Daems<br \/>\nvideo electronics: Elias Heuninck<br \/>\nlight design: Simon Siegmann<br \/>\nsupport: Torsten Oetken<br \/>\nphoto: \u00a9 Kobi Nel\/Lydgalleriet<\/p>\n<p>Thanks to Ghent University Museum and Roland Carchon, Danny Van de Steene, Dirk Eeckhaut<br \/>\nand Allegra Solitude \/ Liebig12.<\/p>\n<p>Ways of Seeing Sound @ Liebig 12 was funded by initiative neue musik berlin e.V. and Flanders State of the Art.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-6123 size-full\" src=\"http:\/\/www.tunedcity.net\/wp-content\/uploads\/2023\/01\/logos_inm_flanders_liebig.png\" sizes=\"(max-width: 540px) 100vw, 540px\" srcset=\"https:\/\/www.tunedcity.net\/wp-content\/uploads\/2023\/01\/logos_inm_flanders_liebig.png 540w, https:\/\/www.tunedcity.net\/wp-content\/uploads\/2023\/01\/logos_inm_flanders_liebig-300x63.png 300w\" alt=\"\" width=\"540\" height=\"113\" \/><\/p>\n<p>*John Tyndall \u2013 Sound, a course of eight lectures, 1876<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in German.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"admin","author_link":"http:\/\/www.dock-berlin.de\/?author=1"},"rttpg_comment":0,"rttpg_category":"<a href=\"http:\/\/www.dock-berlin.de\/?cat=1\" rel=\"category\">Uncategorized<\/a>","rttpg_excerpt":"Sorry, this entry is only available in German.","_links":{"self":[{"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/1185"}],"collection":[{"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1185"}],"version-history":[{"count":2,"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/1185\/revisions"}],"predecessor-version":[{"id":1188,"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/1185\/revisions\/1188"}],"wp:attachment":[{"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.dock-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}